卡萨诺瓦

这部电影讲的是欲望，孤独的欲望在虚无的夜空中漂浮，就像威尼斯的月亮一样难以忍受。

欲望是怪诞的丑陋的惊人的，但也是自然的、人所无法企及的，它要么高悬夜空要么深陷水底，只有卡萨诺瓦能看到它，所以卡萨诺瓦既是孤独的，也是滑稽的。

令我惊奇的是电影中迷人的诗意，那朦胧的静谧的月色穿越时空，精妙无双，我想这之所以迷人，是因为它体现出对人的悲悯的情怀，导演以上帝的目光洞察人的可怜之处，并以上帝的笑声给人以抚慰。

费里尼的又一部情色大作，主人公是在西方和“唐璜”齐名的“性斗士卡萨诺瓦”。老天赐给这哥们的天赋是超级强悍的性能力，他靠这个鬼混了一辈子，无奈晚景凄凉，最后爱上的是一个人工的机械美女，他用这种扭曲的爱了此残生。
 
惊叹于费里尼电影中的化妆道具构图以及场景设置，为了达到理想的效果，他不惜代价的用黑色的塑料布包裹了海洋。而在很多室内的镜头里，那种打光居然折射出伦勃朗油画的味道，令人惊叹无比。剧中出场人物众多，形象千奇百怪，似乎格列佛游记中的妖魔鬼怪全部涣然一新隆重登场。巨人、侏儒、色情狂、神经病、荒淫的贵族和下流的贫民，西方古典传说中的生旦净末逐一进入卡萨诺瓦的生命。这种历史题材是相当难以把握的片种，不过以费里尼的天才而言也不算什么。他热爱小丑与马戏的天性又给我们后人带来了一场视觉的狂欢，黑色幽默与超现实主义犹如哈哈镜一般，给这个传奇人物披上了荒诞醒神的外衣。
 
性能力是衡量一个男人的基本指数，在荒淫无度的古罗马，居然也可以成为进身之阶。片中卡萨君与车夫的做爱比赛令我爆笑，动物性的感官视觉永远都是人类不可或缺的精彩调料。那个总是在关键时刻蹦跳出来的机械小鸟，和着类似ＩＤＭ的电子音乐，在他每一次的做爱经历中充当着计时器的作用。一群人在瞠目结舌的看着他进进出出，动作粗犷有力，各种女人在他的压力下形神兼备地来着高潮。天黑或者性生活最好都闭眼，否则可能是引发一场噩梦的先导。
 
最后他老了，老了也就不存在什么最后了。机能衰退是人类必然的目的地，日子不重要，什么也不重要了。在滑稽的古堡里，这个曾经出过风头的“性斗士”只能用颤抖的声音，来索取他喜欢的通心粉。一个布满裂痕的瓷器，就等着“啪嚓”一声，然后远离这个希奇古怪的世界。
 
看诗人于坚在歌颂费里尼，认为写得相当精彩，我不如也。我从《甜蜜的生活》和《爱情神话》之后，就开始迷恋这个才华横溢的造梦者。他宽大的额头上铭刻着智慧的印记，他把人生和电影当成他纵情演绎的马戏团，用小丑般的高超技能，为全世界热爱电影的人们，奉献出多次的影象高潮。
 

195
00:28:02,480 --> 00:28:06,314
What can I do if I am in love
with you, Annamaria ?

Your spiritual beauty attracts
the artist that is inside of me.

I would like to model you
like a wax statue,

like the statue
I thought you were.

I would be your pygmalion, I would
give vital breath to my creature

and would give you my life
with my own blood.

My own fire would burn
inside of you.
曼森与西王母 印度佛陀王子
237
00:34:30,920 --> 00:34:34,151
She, herself, was an expert
in necromancy.
-----
I am in contact
with the Queen of Saba.

Oh, how kind !
She has returned to us.

What is the water that does not
come from the rocks,

that does not fall from the sky,

that does not come from the earth ?
Answer, the sweat of a horse.

They are the enigmas of Salomon.
That is his answer to the queen.

We received the message.
Thank you.

245
00:35:16,800 --> 00:35:20,554
If you really believe
in these extra-human contacts,

246
00:35:20,640 --> 00:35:24,315
why do you not move inside the soul
of the Queen of Saba ?

She has soul deficiency,
as all women do.

The Council of Trento gave judgement
on this nonsense.

Women possess only two soul
qualities. Men have three.

Women lack the noble soul,
the immortal one.

But for a real woman,
even one soul is more than enough,

as long as it blends in with that
of a man, in perfect harmony,

with the fusion of their bodies.
========
She want us to hear the opinion
of her young niece, Edvige,
who is very learned in theology.

I was reading Saint Augustine,
which I found absurd.
I think I can disprove
some of his statements.

His theory on the mother
of the Savior.
Saint Augustine sustains that Mary
conceived Jesus through her ears.
- Do you doubt it ?
- Yes, for three reasons.

First: because God, since He is not
material substance,
needs no hole through which
to enter or exit.
Second: the hearing tubes do not
communicate with maternal alveolus.
Third: if the Virgin Mary
had conceived through her ears,
she should have given birth
through her ears, right ?
But in this case... Excuse me...
In this case,
the Catholics are right
in considering the Virgin,
a virgin before she conceived.
=============
338
00:44:14,480 --> 00:44:15,799
Selene.

Anubis.

Osiris.

Let us go beyond
the pleasures of the flesh.

Let us concentrate on melting
our souls together in perfect unison.

Scent of Venus !

Love is the source
and root of life.

Love generates both good and bad
impulses and passions.
Love generates the eternal flame,
both divine as well as human.
Love generates gods and demons.


352
00:45:40,280 --> 00:45:43,670
Giacomo, the hour of Venus has come.
I am yours.
May the great work be accomplished.
Wait.
I must first complete
my calculations.

I think we are still
in the hour of Mars.
只见高高晃晃车厢不见马轮
422
00:52:32,160 --> 00:52:35,470
We were invited to a concert
at the hunchback Du Bois' home.
He was an eccentric gentleman
with uncertain amorous boundaries,
just as uncertain were
the boundaries of the Parma dukedom,
divided between the Spanish
and the French.
That evening, two civilizations,
two opposite conceptions of life,
faced each other.

428
00:52:49,680 --> 00:52:53,150
An antique proverb says,
"What is lighter than a feather ?
Ashes.
And what is lighter than ashes ?
The wind.
And lighter than the wind ?
Woman.
And lighter than woman ?
Nothing."

437
00:53:10,840 --> 00:53:14,150
We exercise much power over women,
much tyranny,
and we made them accept it
only because
they are kinder,
more reasonable,
more generous than man.
Such qualities which should have made
them superior to us,
instead, put them at our mercy,
because men, in fact, are a hundred
times more unreasonable,
more cruel, violent.
They are more inclined
by nature, to oppress.

447
00:53:39,960 --> 00:53:44,238
Women's kisses are like a glass
of wine.
You drink and drink,
and drink... and then succumb.

449
00:53:47,760 --> 00:53:52,276
He who never speaks badly of women,
does not love them.
Because to understand them and love
them, you must suffer for them.
So then, and only then,
can you find happiness
on the lips of your beloved.

453
00:54:05,400 --> 00:54:10,190
A kiss is just the desire
of devouring what you kiss.

454
00:54:11,280 --> 00:54:15,432
I really think that Du Bois
has that sort of appetite !

455
00:54:16,880 --> 00:54:18,632
What is a kiss ?
Simply the desire to get lost
in the soul of the woman you love.
塔索,T.(Torquato Tasso 1544～1595) 意大利诗人,文艺复兴运动晚期的代表。出身富有文化教养的家庭
588
01:10:33,160 --> 01:10:35,754
I will go dressed
with my best attire,
the one I wear for festivities.
Soon I shall be ready
to enter into the antique courts
of antique men.
In the peace of Limbo,
they will welcome me.
I will meet Horace, Dante,
I will converse with Petrarch,
with Ariosto,
and with you, Torquato Tasso.
My tender friend whose verses
come to my mind
in this supreme moment.
========
6
00:00:49,280 --> 00:00:52,431
Egard ! How strange to meet you.

Maybe you can help me. Listen.

"When I am drunk, I know neither
the sky nor the earth.

I lie alone,
immobile in my bed.

Until, in the end,
I forget that I exist.

And at that moment
my happiness has no limits."

Lung-ho-Tse: a Chinese poet
of the Eighth Century.

You travel in lands
that do not exist, Egard.

Oh, Giacomo !

I travel much too,
but in the real world.

But where do your travels,
in the bodies of women, take you ?

No place.

Something strange happened to me.

Life, having nauseated me,
I wanted to kill myself.
谢君豪 Kwan-Ho Tse
Lung-ho-Tse 谢龙豪Ho Tse Ho 何子豪 Ho-tse Shen-hui (670-762 ce ) A Chinese Ch'an monk who is

historically credited with instigating the Northern-Southern School controversy唐代禅师荷泽神会(公元670年

—758年)，湖北襄阳人，俗姓高。。。。后来，神会在山东菏泽建寺，开创菏泽宗，他因此又叫菏泽神会。神会的禅法

称为“无念禅”，即他说的：“不作意即是无念”(《神会语录》第一残卷《与拓跋开府书》)，又说：“法无去来，前

后际断，故知无念为最上乘。”(《神会语录》，见《景德传灯录》卷28)不过，神会最重视的是知见解脱，主张定、慧

同等。神会的菏泽宗持续了150年，到唐末便衰竭了。狄龙/Lung Ti ………… Ho Tse Sung;
=============272
00:29:00,080 --> 00:29:02,674
My God, how beautiful you are.

Your gracious smile
is so descreet.

It is like those figures
on Etruscan tombs.

A merry and deathly smile.

Deathly ? Is that how you speak
to who saved you from death ?

Only to deliver me to another
sweet death, that of love.

I feel that I want to be annulled
inside of you, my wise Minerva.

What a strange man you are,
Giacomo.

You cannot talk about love
without using deathly figures ?

The sweetest of deaths. You want
to annul yourself in love...

Maybe there is more to love.
You wish to die ?

As late as possible,
enchanting Isabella.

When that moment comes, I want
to be able to squeeze your hand.
今天做的是POLENTA起司口味便利包(FORMAGGI是义大利文的"起司" ) 在义大利超市买了不少,说是贪图便利,倒不如说是

...台湾称作"玉米粥"or"玉米糕",在北义许多地区喜爱POLENTA 更甚Pasta!吃法更是千变万化
 肉丝炒通心粉 fried macaroni with shredded meat 3. 番茄汁炒通心粉 fried macaroni with tomato

sauce...macaroni with butter 5. 鸡肉火腿炒通心粉 fried macaroni with chicken and ham
其中包括Icosameron之类的作品. 这些政治家们是需要一个擅长以文艺为其宣传的人, 所以这些作品并不是单纯的文学.

令卡萨诺瓦真正进入文学殿堂的作品非其自传《我的一生》(Histoire de ma vie)莫属, 籍着这部作品卡萨诺瓦达到了

文学上的...
治愈系代表作－－水星领航员(ARIA The SERIES)(ARIA
1749年卡萨诺瓦遇见了一生中与他有染的132个女人里, 唯一一个可以令他震撼, 寝食不安且甘愿为其抛弃性命的女人(

卡萨诺瓦自传语)－海丽特(Henriette), 一个为了逃婚而匿名游历的艾克斯普罗旺斯(Aix en Provence)女贵族, 在一次

音乐会上的中提琴演奏令卡萨诺瓦如痴如醉并深深的爱上了她. 虽然此后两人相处不过短短三个月的光景, 然而此后却

保持着长达廿年的通信联系.
1783年1月卡萨诺瓦离开了威尼斯前往维也纳, 这是因为威尼斯大使福斯卡里尼(Foscarini)邀请其担任秘书的工作. 在

不久后卡萨诺瓦又收到年轻的波希米亚伯爵华伦斯坦(Waldstein)邀请其担任达克斯城堡图书馆理员的工作. 就在卡萨诺

瓦来到达克斯不久之后, 德国戏剧家席勒把华伦斯坦伯爵作为悲剧男主角写进了他的剧作《华伦斯坦》当中.
Isabella没有来啊 ·······The script also highlights a number of other incidents from Casanova's

life, including his escape from a Venetian prison and his visit to a London Frost fair.
Fellini identities a film director with the demiurge of a Great Spectacle. "My films are not for

understanding. They are for seeing," Fellini reminds anyone who persists in undervaluing the aim of his

aesthetic orientation.
===
I'd like to ask you a question concerning the costumes you draw for your films, which sometimes are

particularly elegant, as if they were from a different era than ours. What does this mean?

In certain films like Satyricon or Casanova, the costumes of the era were necessary because the films

were historical. That's obvious. I have the habit of looking back to styles of the '20s and '30s, because

this unconscious reference goes back to an emotional reality when I discovered and noticed things.

Lights, colors, attitudes, moods, usages, rhythms belong to this emotional reality.

In addition, there is another fact. A person's clothes make up part of his character. I draw the

character with his costume. I suggest it to the stylists with my drawings; the drawings translate some of

my emotional impressions. For me elegance happens when there is a correspondence between a person's

personality and how she dresses herself Finally, don't forget that costumes, like dreams, are symbolic

communication. Dreams teach us that a language for everything exists — for every object, every color

worn, every clothing detail. Hence, costumes provide an aesthetic objectification that helps to tell the

character's story.
Nino Rota’s music is another delight, taken to a new level in Casanova, abandoning the typical jazzy

circus-music arrangements for a more melancholic and experimental score and an electronic music-box-like

arrangement for the clockwork mechanical bird which symbolises Casanova’s bedroom exertions.
Casanova is not one of Fellini’s best films. Like Satyricon, the subject itself is of little interest to

Fellini, who after La Dolce Vita had nothing more to say about Italian society and history other than

those areas that pertained to his own obsessions. Those films are of interest therefore for the

particular Fellini-esque slant he applies to them, but they never make the full connection that would

make Fellini’s Roma such a delight, and his lack of interest in those aspects that could not be filtered

through his own ego is evident particularly in Casanova.
-----
My personal dissatisfaction with the film however comes from the fact that I think he has tackled these

obsessions much better elsewhere and I don't find Casanova to be the best medium for them, much as I

don't find Giulietta Masina a good conduit for Fellini's personal obsessions in Giulietta degli Spiriti -

but that's just a personal view and another topic entirely.
----
Also, Sutherland's performance has been commented as being as great as Brandos in LAST TANGO IN PARIS

which would make sense considering both films deal with sexuality in an exploitative manner.
I'm not sure why you consider Fellini's displeasure for Casanova a flaw considering the output. You have

to have to look no further than the film title itself: IL CASANOVA DI FEDERICO FELLINI, which immediately

says all you need to know about what is to come.
花了个天晚上，终于把时长318分钟的《1900》给看完了，贝托鲁齐的片子总是那么经典，虽然之前看过的只有《末代皇

帝》和《戏梦巴黎》，一直想看《巴黎最后的探戈》，因为《1900》的制作成本主要是来源于《巴黎最后的探戈》在商

业上的成功，他拍的电影大多和历史变革相关的。这部片子拍于1976年，似乎那个时期欧洲也生产了很多较为纯粹的电

影。
    里面有几个主要人物的演员应该是大家所熟知的，男一号罗伯特德尼罗（Robert De Niro）就不用说了，另一个男

一号居然是《你丫闭嘴》里的那个傻叉，名叫杰拉尔德帕迪约（Gérard Depardieu），反一号居然是唐纳德萨瑟兰

（Donald Sutherland），就是《大腕》里面的那个老头（最近还看了他新演的《傲慢与偏见》，也是不错的片子），

1976年的他们好年轻啊！比现在看起来要瘦得多，不是听人说我还真认不出来，只有杰拉尔德帕迪约的大鼻子和唐纳德

萨瑟兰的笑样让我感觉是在哪见过。罗伯特德尼罗在1976年还拍过《出租车司机》，继74年的《教父2》之后塑造又一个

经典。
如今，30年前那场关于《1900》（Novecento）的争论仿佛早已尘埃落定。那是冷战形势最严峻的时期，由于《巴黎最后

的探戈》在商业上的巨大成功，使得贝托鲁齐有能力制作一部大成本的史诗作品。他聘用了超豪华的cast，阵容包括

Robert De Niro、Gerard Depardieu、Burt Lancaster、Donald Sutherland、Sterling Hayden、Dominique Sanda、

Stefania Sandrelli以及Laura Betti，其中扮演老Berlinghieti的Burt Lancaster甚至没有收取任何片酬，因为他只想

看到贝托鲁齐是如何在监视器后工作的。
 影片中Robert De Niro和Gerard Depardieu之间的友谊含有过于暧昧的同性恋意味，不乏有人将贝托鲁齐的影片视

为"gayness"，而贝托鲁齐却说："经过对弗洛伊德学说长达八年的研究后，我认为同性恋是不可调和的一对矛盾，它不

可能存在。"

      除Robert De Niro和Gerard Depardieu这两位欧洲和美国最有前途的明星外，Donald Sutherland——这位中国影

迷熟悉的加拿大演员在影片中有堪称最为优异的表演，他扮演当地一个恶贯满盈的法西斯分子，纳粹倒台后被愤怒的村

民打死。本片是他在意大利所拍摄的三部电影中的第二部，之后他又主演了费里尼的《卡萨诺瓦》，同样令人印象深刻

。
故事发生在一个不知名的极权主义国家，没有交代具体时间，在一座因关押政治犯而臭名昭著的监狱里，狱警乔(范恩斯

饰)负责看守著名的政治犯，剧作家索恩（唐纳德·萨瑟兰 饰）。Land of the Blind
Sutherland's performance (certainly one of the most neglected performances he gave in the 70's) managed

to undercut the more over-bearing elements of Fellini's direction, and gave us a real character filled

with pain, fear and emotional contradiction. The pace and structure of the film and the idea of a central

character as a writer telling the story as it unfolds is reminiscent of La Dolce Vita, something that

other viewers and critics have pointed out elsewhere, with the idea that the two films are merely

different variations on the same story